Essential Reading for Composition

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Magic is in the air, I’m certain. My daughter is asleep by 8:30pm and we even did yoga before bed. Canadian television is bringing us the hockey game tonight, there was one Ypsi Gypsi left, and the sky looks purple over the lake behind my house.

I’m skimming a book that I borrowed awhile back from my professor-mentor, Composition in Four Keys: Inquiring Into the Field edited by Mark Wiley, Barbara Gleason, and Louise Wetherbee Phelps. It’s older, published in 1996, and many of the readings it includes have publication dates from before I was born, in 1985. This particular essay in the photo seems to be what eventually became part of the book I’m currently reading, Vernacular Eloquence by Peter Elbow, and “The Shifting Relationships between Speech and Writing,” which appeared in CCC in 1985.

My professor-mentor asked me today what some of my favorite readings were, as we were trying to compile a list of essential readings for new graduate instructors, and my mind went blank. I sat down tonight and made a list of everything I could remember, everything that I’ve saved or worked from, everything that was especially memorable from my undergrad and graduate coursework. I realized that most of what I’ve saved has been specialized: craft, identity, self-efficacy, digital humanities, responses to the “students can’t write” mentality…and very little of what I’ve read – or even what I’ve been exposed to – has addressed composition as a field itself. I think the most intense reading I’ve done that pertained to writing studies was a book I read for my senior thesis, Tim Mayers’ (Re)Writing Craft, which compared creative writing and composition – in fact, it’s been so long since I read it that I can’t remember if I even finished the whole book. What I need, and what I want to give the incoming GA’s (and every single person who steps into that role from here on out) is a breakdown of what composition is, what writing studies is; a very basic foundation that frames the field in such a way that fosters supported curiosity – something that gives enough understanding to lend itself to further exploration without ending up in the weeds. I am always in the weeds.

So I ask you, what are your essential readings? What do you fall back on, what comes to mind first, what drives your teaching?

Lifeless Voices

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“That is, our pervasive cultural assumptions about speech, writing, and literacy – especially as they are communicated through schooling – seem as though they were designed to make it harder than necessary for people to become comfortably and powerfully literate.” -Peter Elbow

I started reading Peter Elbow’s Vernacular Eloquence earlier today while my daughter was doing homework on the couch. She’s using Study Island, and she’s supposed to spend 15 minutes per day on the site for the month of May.

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Eventually, she took the headphones off, and I could hear this robotic voice reading “Hey diddle diddle, the cat and the fiddle.” Monotone syllables, zero enthusiasm. This is test prep.

I asked her what she thought about that voice, and she said it was “wrong” because it had no “tone” (her words in quotes). What are we teaching our children about reading, if the voice that reads to them does not speak like a human being, with intonation and excitement? What will our children think about reading, when a world that should be brought to life through rich vocality is instead flattened by a computer simulation? Would it be so hard to record a real person? Or to create a computerized voice that has a hint of color? This reminded me of something I heard on NPR a little while ago: synthetic speech gets an upgrade.

She clicks around on the page, purposely choosing the wrong answers because she is bored.

Until she realizes (really, until I realized) that when you completed a section, you were ranked amongst your peers. Schools are also ranked amongst each other, nationally. Then we got serious.

I told her what I thought about the voice; we took turns reading the nursery rhymes out loud, ignoring the button we could click to have it read to us by the computer. Turns out that when you read with enthusiasm, kids pay more attention. (Duh?)

“Mentor, May I Mother?”: Thoughts/Student Parents are “Making It” Too

ImageSomehow or another, through my extensive searching (really, my writing process is so messy and always results in a grotesque amount of research that I never have time to read), I came across a chapter in a book titled “Mentor, May I Mother?” by Catherine Gabor, Stacia Dunn Neely, and Carrie Shively Leverenz. The chapter appears in Stories of Mentoring: Theory and Praxis, edited by Michelle F. Eble and Lynée Lewis Gaillet, 2008. As I was grappling with my proposal for 4C14, I realized there were so many ways to approach the issue of student parents in the writing classroom, and ultimately came to the conclusion that it wasn’t just writing that validated the convergence of one’s academic and personal self, but the level of support provided by faculty/administrators/peers and more importantly, the self-efficacy often born from a First Year Writing classroom setting.

While I have always identified with my English teachers all throughout high school and into college, it was not until I was pregnant and on academic probation, barely keeping it together, that I was able to see myself in a college classroom. At that point, I had been attending college for several years: I graduated high school (with honors, in the top 30 of my class of 330-ish) in 2003, and my daughter was born in 2007. Still, while I often made it to campus, I would hide out in the library reading books on various topics semi-related to what I was studying instead of sitting in class. I also spent countless hours trying to navigate financial aid, advising, and the bookstore, but that’s another story (sort of…I mean, if any of those offices were remotely helpful, I would have probably been able to attend class without feeling as if I was on the verge of a crisis every time I set foot in the door). Put simply, despite my excellent grades, I did not see myself in college. I didn’t know what I wanted to do. I loved everything and believed in nothing, and felt like discovering a purpose was sort of like trying to walk a tight rope: I loved certain subject areas, but lacked experience, background knowledge, and confidence to see myself in those spaces. I did not see my body as one that belonged to nor fit into the academy. I’m not sure where else I saw it fitting; looking back, knowing what I know now, the academy is the only place for me.

When I was pregnant I had a teacher, whom I had taken classes with before, that believed in the power of written communication as a ticket out of poverty, a path out of a world with a glass ceiling. He grew up in a working class, blue-collar town in the midwest, choosing to teach at a community college because those students are his people. I am his people. While other instructors (namely the mens’ baseball coach) had written me off, this teacher brought me bags of red raspberry leaf tea and stinging nettles; he saw a future of hope and possibility attached to the body of a soon-to-be young mother, and I began to believe in my ability to succeed. I had a space carved out for me. I mattered, and while I never wanted to be invisible (I have never been good at blending in), I often saw my ways of knowing, my ways of making sense of the world, shadowed by the notion of the traditional college student: 18, supported by one’s parents  financially, mentally, and emotionally, on track to complete a program of study within the allotted timeframe. When this teacher took notice and spoke to me as an equal, I began to see my body – my likelihood – emerge from the shadows.

At that same time, I was blogging: I had a livejournal account, and belonged to several communities within that platform that allowed me to explore my identity further. Those communities could be found by linking your interests (a list of hyperlinked terms) with those of other users or communities, or by searching for various keywords. This, I believe, was how I learned about homebirth, breastfeeding, and “making it” as a single parent. I belonged to a due-date club, and still keep in touch (barely!) with two of those mothers, one who is also working on her graduate degree in a related field. While I began to see myself as compatible with higher education, I struggled to conceptualize myself as a mother. I was young, unmarried-but-partnered (so, single but not really), planning a homebirth, a bit disconnected from family support (they are local, but were unavailable for childcare; my stepmom threw my baby shower), was working at Starbucks (thankfully, with benefits as a part-time employee), and had planned to breastfeed. My age and marital status prevented me from connecting on a deep level with most mothers I knew, and my interest in homebirth generally resulted in a lot of unsolicited advice. Livejournal was a place that I could exist as multiple selves, and often times I found that these selves were complementary rather than at odds with one another; I was able to compose an identity through writing that began to make sense to me.

Because of the support offered by my professor early in my pregnancy, I continued to enroll in classes, finishing an online course right before my daughter’s birth with an A. However, I did not go back to school until she was 2.5 years old because her father and I had split up and I had taken on a full time job where I again found myself trying to negotiate a space in which I could comfortably exist: while I found fragments of that space, I spent 3 years working for a company that did not support my parent status. I am happy to report that in the last two years, they seem to have changed quite a bit.

I returned to school part-time and online, continuing to work for another two years before dropping to seasonal status at work and taking on a full-time class load. It was that first full-time semester that I met another teacher who recognized my interest in writing. I should probably note here that within the first few weeks after my daughter was born, I was introduced to Anne Lamott’s book, Operating Instructions, and immediately wanted to write my own version. I proceeded to read everything I could, and began to write poetry, which I eventually published in various literary journals and a self-published chapbook in 2011; I read at several poetry events in the metro-Detroit area as well. My teacher pulled me aside after class, and let me know that she could see how bad I wanted this, and that she wanted to help me develop my voice. She taught a fiction-based creative writing course, and while I am not at all a fiction writer, the lessons she gave us are to this day some of the most applicable and inspirational.

When I came to EMU in Winter 2011, I felt the need to be a bit outspoken about my parent status. Coming from a community college that had incredible support for student parents, notably an affordable high-quality childcare center, I was overwhelmed by the lack of communication between departments and minimal resources available for student parents at EMU. Fortunately, I had a professor that first semester back who has two young children, and she invited me to meet with her during office hours to discuss not just my papers (which she loved), but also my overall academic success, including scholarships, future plans, and the daily challenges of balancing parenthood with schoolwork. Most importantly, she connected me with other student parents, which proved to be an invaluable (and ongoing) effort that both helped us (myself and the other student parents) maintain our sanity and shaped my understanding of what my role is as I now teach my own courses.

Though I have had many other mentors over the last few years, and could easily devote an entire post to each of them, there is one more I want to mention here whose office I walked into with my daughter on my back during a Spring semester when I took his online class. I suppose this person also merits his own post, and I’ll get there someday when I can formulate my words enough to illustrate just how much of an impact he has had on my life both as a mother and as a graduate student and writing instructor. What I want to say, in response to the opening of this chapter that states:

Although not necessarily marginalized by race, class, or sexual orientation, pregnant women and women with children do represent a different cultural norm than that of the university, and they, too, need support from those who have “made it” in similar circumstances (100),

is that mentorship, both on a large scale and through small gestures, is essential to the success of student parents. While many pregnant and parenting students, both visible (physically) and invisible (our children do not generally attend class with us), fill the seats in our classrooms, they do not often see themselves represented in academic careers – either because professors remain silent themselves about their parent status, or because the process of tenure is not always family-friendly. When we (I say “we” because I include myself here) are able to see successful scholars in our fields who are also parents, both teachers and students alike, and when those individuals recognize and can teach us to apply our ways of seeing and knowing and doing, we are validated as bodies that matter in the university setting. Student parents need mentorship just as accomplished women academics do; as Gabor, Neely, and Leverenz’s chapter states, mentoring is both career-enhancing as well as supportive of personal identity negotiation (100). When that mentoring relationship can encompass both professional development as well as the everyday struggles and triumphs of parenthood, troubling the resistance present between these roles in our professional lives, self-efficacy levels take flight. I have never felt as capable nor as valued than when working in collaboration with my mentors, those who made room for both me and my daughter to learn, to try, to fail, and to prosper.

Student Portfolios

This semester, my ENGL 121 students had the option to create a traditional portfolio which involved a 4-5 page essay that reflected on their learning throughout the semester, or a digital portfolio that allowed/encouraged* them to explore what might be possible using digital composing tools instead of a paper-based essay. I was totally floored by what my students created, both those who chose the traditional assignment and those who went digital. I hesitate to emphasize one track over the other as being more risky or challenging because I think each genre comes with its own limitations, and appeals to different strengths and weaknesses among their authors; I wish I could share all of them here. The following portfolios are shared with students’ permission.

Olivia’s Vuvox

Riley’s Stupeflix

*Have you seen this article about “slash” as slang?

Composing/Presenting an Identity

I am wrestling, deeply, with a panel proposal for 4C’s 2014 about motherhood, writing, and teaching composition. I am struggling to choose which voice I might use; if our rough theme is parenting on the margins, and I want to speak about student parents, I might be best to speak as a student. However, as others have cautioned me, I might also want to be wary about positioning myself as a student on a panel with several more experienced scholars in our field. Maybe I should speak as a writing instructor, then, as I question daily my obligation to my students and their stories: do I owe them a space to share? Do I attempt to nurture that space, if so? Do I bring my daughter to class? Do I let them bring their children? Last semester, I taught while holding the infant daughter of one of my students so that she could pay attention. Lately, I’ve decided that bringing my daughter to class is something I’d rather not do.

These questions I have, though, are perfectly representative of the struggles both faculty and students face when it comes to merging professional and familial identities. Just as we (teachers) must find that balance where parenthood and professional can coexist comfortably, a soft pull of resistance and complement, we (students) who are faced with many of the same challenges in constructing an academic identity.

I hear an echo: where are the student voices?

I speak: as a student, I chose to be visible.

I see: childcare moved off campus. A classroom with student parents who fight silently, individually. Absence of mentorship; need.

There are two things I hold in my hands: obligation; what is my obligation to my students? and writing, as it is tied to social action. writing as empowerment. writing as my course just ended and I make a list of all the things I should have done and will do, and one student comes to meet with me twice just to talk, because writing made sense, writing is and writing does. 

What is the cut? I think about how many times we practiced finding our cut in Cathy’s ENGL517 class and how long it took me to come up with the best way to say that students CAN write and that we need to value the work they are doing. I could cut this so many ways:

  • by collecting/listening to/making visible the personal narratives of student parents, we can begin to seek/make/create change on our campus
  • by choosing transparency about my own student/mother/teacher identity, I can encourage my students to question, trouble, and renegotiate their own identity formation.
  • by choosing to share my own experience as a graduate student, first year writing instructor, and semi-single parent who also completed her undergraduate degree while parenting, I can serve as a model of success, of “making it,” and should offer that support to my students in the form of mentorship. I should create a mentorship program for student parents.
  • by encouraging (all) students to write about their extracurricular selves, we can create a space where these identities are validated as working in symbiance with their academic selves.
  • by asking students to explore identity through writing, we help them recognize their voice(s), the frame(s) through which they respond to the world around them, thus positioning them to reconcile perceived/potential identity clashes by validating each contributing self.

And so I write and rewrite over and over again my piece, pairing it alongside the other proposals already written and I erase, rewrite again. What is the balance? I take notes on my phone in the car. Is there room for me here? I want my self/my students/your students/you to write ourselves into higher education. Why is this so hard to compose?

Humanism’s Turtlenecked Hairshirt (or, CATS!)

“If there is one reason things “digital” might release humanism from its turtlenecked hairshirt it is precisely because computing has revealed a world full of things: hairdressers, recipes, pornographers, typefaces, Bible studies, scandals, magnetic disks, rugby players, dereferenced pointers, cardboard void fill, pro-lifers, snowstorms. The digital world is replete. It resists any efforts to be colonized by the postcolonialists. We cannot escape it by holing up in Berkeley waiting for the taurus of time to roll around to 1968. It will find us and it will videotape our kittens.

It’s not the digital that marks the future of the humanities—it’s what things digital point to: a great outdoors. A real world. A world of humans, things, and ideas. A world of the commonplace. A world that prepares jello salads.”

-from Ian Bogost’s “The Turtlenecked Hairshirt.”

What is the internet for, if not for kittens?

and romantic guinea pigs, for good measure:

Want more kittens?

Germ Blog: One More

Bryan A’s Top 10 Cat Videos

Jackie’s Most Poignant and Meaningful Post of all the Posts

Melissa – In Honor of Bogost

visiblycynical: kitten rebellion

taking the dative: the turtlenecked hairshirt